Friday, December 18, 2015

Coat Progress


Okay, so I have been making progress on my coat. But the warm weather has not been much of an impetus to get it finished. I have been taking my time, doing lots of hand-sewing (which doesn't show up at all). I hand-stitched hair canvas to the fronts, upper back, and all hemlines. I put hair canvas on both upper and under collar and pad-stitched the under-collar. The fabric is really thick and fuzzy, and no stitches showed through to the outside even if I took bigger stitches than just little pricks. 



Given the thickness of the fabric, I didn't want welt pockets, I didn't think I would do a good job with them, so I opted for patch pockets. And they are interfaced with hair canvas, then lined, and then hand-stitched twice to the coat so they will be nice and secure without any stitches showing.


I also added a back stay using linen fabric from the stash. This will help keep the back shoulders from stretching out and will also hide any outline of shoulder pads.

At this point, before the sleeves were set in, I made the buttonholes. I made six preliminary buttonholes by machine and the plan is to overcast these with buttonhole twist so that I will actually have handworked buttonholes. I have been practising those, and so far they are not looking good to me. I may resort to going over the buttonholes once again by machine and calling it a day. 


Here you can see the interfacing strips in the hem area. With hair canvas, you cut strips on the bias that are 1 1/2" wider than your hem allowance, then position the interfacing so that it extends 1/2" below the hemline. It is hand basted along the hemline and catch-stitched along the top to the coat itself. Then when the hem is turned up, it is catch-stitched to the interfacing and it never ever shows on the outside. The bias interfacing also gives a nice soft edge to the hemline. I also did this on the sleeve hems.


Here is a photo of the inside of the front of the coat, it isn't the greatest photo. But you can see the hair canvas which covers the entire centre front pieces. I also interfaced the side pieces of the front to about 9" below the armholes. And you can see where the sleeves have been put in, I used tie interfacing (since it is on the bias) to ease the sleeve caps and then that interfacing is turned out into the sleeve caps to provide a sleeve header. After that, the shoulder pads are stitched in place. 


This is the back where you can see the linen back stay which covers the back from neck to under the armholes. Underneath the stay, there is more hair canvas. I tell you there has been so much hand-stitching on this coat. But you know, where I live, winter is a really big deal. It is wicked and lasts for four months of the year. We can wear winter coats for five months so it is worth doing all this work because this coat will get worn a lot.



Full photo of the back with all the inner stuff showing. Pretty unsightly, but it will be all covered up with beautiful shiny Kasha lining (flannel-backed satin) in royal blue and none of this will ever be seen again.

I was planning on getting buttons to match the coat in colour, but I am thinking now that I should perhaps go with jet black buttons. The coat looks really plain, and perhaps a contrast button would be a good idea. I am thinking that this coat needs a gorgeous sunny yellow scarf tucked inside the neckline and I am on the lookout for one in the stores. Funny when you want a specific colour in something, it is nowhere to be found. I may have to make one.

More later, I hope to have this finished by Christmas day.

Merry Christmas to all.








Cleaning up the sewing room




 

I had a big clean-up of my sewing room two weeks ago. I was finding it difficult, next to impossible really, to go in and sew with so much stuff in there.  It is still quite cluttered and busy compared to other sewing spaces that I have seen online, but it is much better than it was.

The above photo is my main machine, a Bernina 950, a semi-industrial machine that I bought about ten years ago at a sewing show in Toronto. I also have a Husqvarna which I have moved to Ontario to the house we recently purchased there, in preparation for retirement (my husband's retirement, not mine). And I also have a Kenmore 3/4 thread serger which I only use for finishing seams. I am not a serger sewer but I do like to have the raw edges trimmed and looking nice.


I can now swivel in my sewing chair and use the iron without getting up. I dropped the ironing board so that is at the right level to iron while sitting. The blue wardrobe now holds my out-of-season clothes and some garments that have actually never been worn, special ones that I made for demos in sewing classes. As my friend Brenda likes to sew, "my husband doesn't fish to put food on the table, I don't necessarily sew to put clothes on my back, it's about the process."  Those special garments tell that tale. Perhaps one day I will photograph them and blog about them.
Next to the wardrobe is a filing cabinet that is stuffed with patterns. I culled a bag full a month ago, and have to go through the stash again. Realistically, am I going to sew all of these and so many are old patterns that I wouldn't even consider making them now.


This is the desk that used to hold the second machine and now it provides the surface for projects in the works and also a bulletin board with patterns that I want to sew soon or next or whenever. However I forget to look at it, and go searching through the filing cabinet in search of a pattern that I just remembered. Or else I have bought a new pattern/fabric that jumps to the head of the queue.


Lots of lights on the main sewing table. The Bernina comes in its own table, I do wish it was wider as large projects slide off while I am sewing. For example, the coat I am currently working on, has to be bunched up in order for me to sew anything on it.


Another view of the main sewing area, with the ironing board strategically placed within easy reach.


I moved several Rubbermaid containers of fabrics and they are currently in a little office on the same floor until I sort them into the colour-coded containers up in the attic. And while I am doing that, I am actually tossing pieces of fabric and donating them to GoodWill. I must be more ruthless at this, as we are planning a big move in a little over a year and it will be embarrassing to explain why I have so much fabric stashed.

I have found, since sorting out this room, and giving it a thorough cleaning, that I look forward to going in there more and actually sewing. I have a CD player with the music that I love at hand, and I also put in an old laptop so that I can watch YouTube videos while I sew.

This room has had multiple transitions. When we moved into this house 19 years ago, this was our kitchen. My mother lived on the ground floor of the house and we, myself plus hubby plus three grown daughters and two cats, lived on the top two floors. After my mom died, we took over the whole house. This became the bedroom of our youngest daughter and an electrician once joked that she could have her own five-piece band in there, there was so much heavy-duty wiring (from its days as a kitchen). It overlooks the back yard and is the quietest room in the house.

It is ironic that we lived in less space when there were six of us than we now have when there are just two of us plus a dog. This house has seen a lot of life over the past two decades. We are starting the transition to another phase of our lives, with Nick retiring and us moving closer to the grandkids who live in Canada. Our middle daughter has seven kids from age 12 down to newborn, and we recently bought a house in her village where we plan to move once Nick leaves work.

And that house has a finished basement room that has built-in storage, it is the perfect space for sewing and for teaching my grand-daughter to sew. I could even see making quilts in the future.









Saturday, October 24, 2015

Shirt sewing


I am sorely in need of tops to wear. I seem to have the same 5 or 6 in constant circulation and they are getting very tiresome.

So I got to work making some shirts.


The pattern is Vogue 2634, which is out of print.

 
This is a really nice pattern, a good basic shirt. I made view C with the 3/4 sleeves. All versions have a classic two piece shirt collar and band. I had very few alterations to make, just a 1/2" taken out of the armscye area and the sleeve cap. I shortened the body 1" but after making this first version, I will keep the original length.
 
The fabric is a lovely fine cotton/lycra shirting from www.blackbirdfabrics.com in Canada. This is a small company based in Vancouver BC, offering quality dress fabrics, and wonderful service. In fact, I just saw a wool coating on that site that is so tempting. I am going to resist as I have this boiled wool coat in the making, but if I didn't, I would be jumping on this double-faced coating asap.
 
 
 I am going out of town for a couple of weeks, but if that coating is still there, I might just get some when I return. Beautiful coat fabrics are priceless in my opinion, and I am a real sucker for them.
 
The other shirt I have made is an older Jalie pattern, I think it is out of print as well.
 
 
I found the cotton fabric in my stash and cannot remember when or where I bought it. Just glad that I came across it while cleaning out a box and decided to give the Jalie pattern a try. Several members of our guild have made this shirt pattern and it looked good. I was pleased with my rendition of it.
 


Close up of the collar, which sits very nicely
 
You could use Jalie 3130 which is the latest shirt pattern from Jalie. It has a few more options than the pattern I used, but looks basically the same. Jalie patterns have all sizes from children to adults nested on the pattern, it is amazing to see how many sizes they get in there and you can also see how sizes grade up from one to another. It is rather fascinating. I was pleased with the fit of this shirt and will make it again.
 
 
Shirt making is very satisfying to me. I like the precise sewing involved and it is particularly gratifying to have the collar and band go on well with nice top-stitching to show it off.
 
Plus with shirts, you know that you can throw them in the wash time and time again, give them a quick press and they look great for a very long time.
 
I have a few more shirts planned for the fall/winter season, quickie projects to sew while working on the longer project - the coat!
 
 
 
 
 
 
 
 
 
 


Saturday, October 17, 2015

Coat progress

 
 
I am really keen to get going on this coat, and today dawned with nothing in particular to do except to sew!
 
 
In the morning, I cut out all the pattern pieces, and then found some scrap fabric that would work for a muslin. It always surprises me how little time a muslin actually takes and it is so worth taking that time, in order to be sure of your fit before cutting into the good stuff.
 
 
My muslin showed that the shoulder line was too long on me, so I removed 5/8" from the end and blended that line back into the armscye. This will make the sleeve fit better, which seemed to have a little bit too much ease in it to work well.
 
I had already shortened the pattern in the upper chest area, and again just above the waist. And removed 2" from the sleeves; yes I have short arms.
 
I sewed the fronts and backs together, sewed on the under collar, sewed the facings over the collar and set in one sleeve. Up to the full length mirror with shoulder pads in hand. A couple of things were clear right away. I needed more room over the tummy and hip area, and the coat was too short.
 
So I added 3/8" to the seams of the center front/side front and center back/side back. The side seams were in the right place, which made me decide to add the extra at those inside seams, rather than at the sides. The overall length is easy to fix; simply cut the pattern pieces longer.
 
All of this was done by 2 pm, so I took the dog out for a walk; it is a gorgeous fall day here. And then back to the drawing board. Yes, there was time to cut the fabric and the lining. And whoa, what did I find in my stash?  The perfect shade of blue Kasha lining so I don't have to use the cream stuff I bought the other day.
 
Over night I remembered that I had a bolt of this blue Kasha from years ago, when I was teaching outerwear classes for MacPhee Workshops. Kasha lining is satin lining fused to thin flannelette, so you are basically underlining the coat when you use this stuff. It is much warmer than other linings and Canadian seamstresses are quite familiar with it, as our winters are so cold.

 
 
So here is the coat all laid out, you can see the lining at the top, that shiny blue stuff. Lovely firm lining that is perfect for this weight of wool coating.

 
And yesterday, I pulled some tailoring books out of my sewing library and I settled on these two reference books. The Singer Tailoring book is a dream, with lots of beautiful photos to show you just how things should look. The garments are dated, but the techniques haven't changed for what I want to do, so it will be my #1 reference. The Palmer/Pletsch book is an easy read, with some good fitting tips and some shortcuts that may just come in handy.
 
All of this is now packed up in a box, and the next step is to cut the hair canvas and sew that in by hand. I am looking forward to that peaceful hand stitching. And hair canvas has never disappointed me.
 
One year I taught a jacket class and one student decided to make herself a winter coat. This was over 20 years ago, and I had only ever used sew-in interfacings. So I recommended that she use hair canvas in her coat and I showed her how to put it in. She later told me that coat was her essential piece of clothing that winter, and she wore it for a long time. She thought the method of all that hand-stitching was a bit tedious to begin with, but she didn't regret it later when the coat continued to look good after months of wearing.
 
Buttonholes are a concern at this point. I could do bound buttonholes, but don't want to. I want hand-done keyhole buttonholes. But I know that mine are pathetic. Unless I get some practice in and get much better at them, I think I might just take this to a tailor here in town and pay him to make them once the coat is at that point. There are two tailors who could do this; one is Mr. Chung who makes suits for men, and another is a tailor who specializes in military apparel. Perhaps I will ask to see samples of their work before committing to them.
 
 
 
 
 
 


Friday, October 16, 2015

Project - a Coat!


I popped into our local fabric store the other day, with a firm resolve to just buy buttons for the shirt I finished, and a spool of white thread for some other shirts planned.

But wouldn't you know it, I passed by a table of boiled wool coatings, gorgeous stuff and I simply could not resist. My first choice would have been red, but there was only a burgundy colour which just seemed dull. However, there was a brilliant royal blue and, with only a brief second thought, I bought 3 metres of it, plus got the Kasha lining and thread and picked up this pattern as well. I have tons of coat patterns, and only went to the catalog to check the yardage but this seemed like a classic style that would work really well with boiled wool.

I stopped in again yesterday and bought hair canvas, as I plan on tailoring this the traditional way. A fabric like boiled wool deserves your best effort and my experience with heavier fusible interfacings leaves much to be desired. They probably would not adhere well to a nubby surface like boiled wool. So I will use hair canvas, pad stitching it lightly over the centre front piece and on the collar to make a nice curved fold over.

I am so looking forward to this project. Tomorrow I plan on cutting out all the pattern pieces and constructing a muslin. I am not going to take any chances with this one. It has set me back quite a bit money-wise (close to $200) so it is worth doing it really well. I am going to make view D, which is just above knee length and I think I will make the patch pockets, as one review said the inseam pockets are very small due to their position in the coat. I need good pockets in my coats.

It has been quite a while since I made a coat and jackets and coats are my favourite projects. I have been inspiring myself with Tany's blog, http://tanysewsandknits.blogspot.ca/. She has made many wonderful coats and has several tutorials on a variety of sewing techniques. I will be checking out her posts on hair canvas once I reach that point.

Burda 8292
 
royal blue boiled wool, 100% wool
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Tuesday, October 6, 2015

Sewing Knit Seams


A great post by Tasia on sewing knit seams to have the look of an overlock seam. For those of us without an overlock machine, this is a terrific option.

I might even be tempted to try leggings myself now.

http://sewaholic.net/sewing-seams-that-look-like-flatlock/







Saturday, September 26, 2015

Cleaning Out


For some time now, my sewing stash has bothered me. So much fabric accumulated without even trying. Fabrics that I couldn't resist while running my online business, and ends and more and more ends. The last couple of yards of a bolt that would only be sold at the price I paid for it, so it seemed that I should just use it myself.

Only it doesn't get used.

So I have been trying to clean out one box per week from the attic bedroom where there must be 20+ containers of fabric. Most of it is neatly folded and catalogued in binders, so that I can just flip through the binders and see what I have. But some never got put away and those are the boxes I am working on first.

To my delight, I discovered a gorgeous piece of shirting fabric, soft green with purple, and it is on the line to dry. I had even put it away with the Jalie shirt pattern, intending to use that pattern after I saw several versions made up by sewing guild members.

Cutting will be done today, I have trimmed my size out of the multi-size pattern. It is amazing how Jalie get all those sizes onto one sheet of paper, with twenty of more sizes nested in one outline.

And I did clear out one box, removing a pattern that was pinned to fabric I no longer like. The pattern has been saved though, and another one was tossed with the fabric put into a box for my granddaughter Hannah who has said she would like to make a quilt. I plan on bringing her a box of cotton scraps for practise, as she has not used a sewing machine before, and I found an old Singer at a yard sale that will be perfect for her. A machine from the 80's with all metal parts; I had it serviced last month and will bring it up to her next month when I go to visit. Another grandbaby is on the way!